Step By Step to Stand-Up Comedy Chapter Eleven
Fearless Performing
As with any art form, stand-up comedy will place you in a position of coming to grips with your own personal demons. Not only will you go through this struggle publicly, but you’re also required to do it with a sense of humor. Fortunately, this chapter gives you the comedic tools you need for overcoming stage fright, handling hecklers, defusing a bomb, keeping your memory remembering so you can approach any audience fearlessly.
Overcoming Stage Fright
Pre-show Jitters
-Put it in perspective
-Reframe your fear as readiness
-Be Honest
-Create a warm-up ritual
-Feel the feelings and do it anyway
-Stay sober
On-stage Fear
-Set self-criticism aside
-Stay emotionally associated with the experiences of the material
Coping With Going Blank
-Leave the Critic off stage
-Rehearse in the same state in which you wish to perform
-Remain playful
-Be honest
-Take a breath
-Check your show list
-Try riffing
Dealing With Bombing
-Continue to commit
-Keep your sense of humor
-Be honest
-Use a saver
-Ask for suggestions
-Make your material more personal to the audience
-Respond with more emotional intensity
-Deliver the jokes at different speeds
-Do only your best jokes
-Try riffing
-After the show, deal with it
Crossing the Hurt Line
Handling Hecklers
-Ignore comments
-Remain playful
-Make sure they deserve it
-Avoid taking things personally
-Never invite the heckler on stage
-Use heckler lines
-Easy on the women
-Challenge them to continue to make more remarks
-Sincerely ask them to stop
-Survive the drunks and the drugged
-Ignore the section with the heckler
-After the show
DEALING WITH BOMBING
Bombing is the number one fear associated with doing stand-up comedy. When your show isn’t getting any laughs, life stops being a movie and you’re thrust into the awareness that you’re really here in front of people, a flush of tingly heat spreads over your face, all you can hear is a deafening roar of silence, then your internal self-talk starts screaming, “Why am I doing this to myself!” Your mouth feels as if it’s stuffed with cotton, your heart is thumping in your chest, and beads of perspiration snake down your face. You’re experiencing what comedians refer to as flop sweat.
In comedy you get clear and instant feedback. The audience either laughs or doesn’t laugh. To improve your show, you must take responsibility for how it went, honestly face its shortcomings, and correct them. This chapter is full of skills, principles, and techniques to guide you in creating a successful show. But remember, you will bomb, so be prepared. Here are some helpful hints for dealing with bombing.
KEEP YOUR SENSE OF HUMOR
To demonstrate what I really mean by this, let me start by making a distinction between a sense of funny and a sense of humor. A sense of funny is knowing what makes other people laugh. A sense of humor is what makes you laugh. If your sense of funny is off on a particular night, it helps to have a sense of humor about it. In other words, if you think it’s funny that you suck, the audience will enjoy your ability to laugh at yourself. Then the least that can happen is that you’ll have a great time bombing.
The biggest problem with not getting laughs isn’t the lack of laughter; it’s the horrid state of mind that it creates. The worse you feel about how badly things are going, the worse the audience will feel. They’ll want you to get off stage, not because your jokes aren’t getting laughs but because they feel so bad for you. But if it’s okay with you that the show isn’t funny, and you’re even willing to make fun of the fact, the audience will go along. If you have a sense of humor about bombing, when you leave the stage the audience might say something like, “He wasn’t very funny, but I sure enjoyed watching him try.” If you keep your sense of humor, the audience will almost always pull for you.
One more note-I believe that the sense of humor evolved in humans as a means of dealing with the painful things. Bombing certainly fits in this category, and your sense of humor should automatically kick in to deal with it. It may be embarrassing, but it’s even worse to crash and burn without a sense of humor. When you bomb with a sense of humor, at least you’ll leave the stage with your dignity.
