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1st story
the scenario imagined in the mind of the audience based on the
setup
of a joke.
2nd story the scenario
imagined in the mind of the audience based on the punch of a joke.
ad-lib to make up a
joke within a
scripted show.
alternative reinterpretations a list of meanings or
functions of the connector
that are not the same as that of the target assumption, one of which will become
a
reinterpretation.
assumption 1.) the audience's expectation
that the 1st story will continue along the predicted line of though. 2.) everything one
is not experiencing with one's senses in the present.
beat, take a a pause; to take a break for the
purposes of comic timing.
behavioral jokes
jokes constructed
with the nonverbal connectors
of character, emotions/state of mind, body language/actions, and sound effects.
bit
a section of a stand-up comedy show or routine, also a
short routine or a section of a routine.
blue material
jokes using graphic
sexual overtones, scatological (toilet) references, and swear words.
bomb, to to perform a comedy
show which gets no or few laughs.
booker a person who hires and/or pays comedians to
work in nightclubs.
callback a joke that refers back to another joke
performed earlier in the show; often presented in a different context.
capper an antiquated term for the final in a series
of jokes on the
same subject matter which ends the
routine with the
biggest laugh.
catch phrase a common phrase said in a extraordinary
manner which becomes the trade make of a particular comedian. For instance Steve
Martin's "Excuse me." or Billy Crystal's "You look marvelous."
character POV the perceptual position
achieved when pretending to be someone or something else.
closing line the final joke of a stand-up comedy show which
should get a huge laugh.
comedian someone who makes his or her living being funny by means
of an amusing character.
comic someone who makes his or her living being funny by telling jokes.
connector at the center of
a joke, the one
thing perceived in at least two ways. One way of perceiving it constitutes the
target assumption;
the second way of perceiving it reveals the
reinterpretation.
Critic Spot a location designated for
evaluating one's show; separate from the
Rehearsal Space.
flop sweat the over
abundance of perspiration one experiences from a panic reaction to
bombing.
flopping bombing; not getting laughs.
gag file a joke file.
gag a joke.
gig a show business job.
graphing a scaling device with dots on paper
for evaluating the effectiveness of jokes
to determine their proper placement within a routine or show.
hack from the British word hack-neyed. Over used and thus cheapened,
trite.
hammocking a technique for
placing weaker material or improvisation between two strong comedy bits.
headliner the third and last comedian considered the
star of a standard stand-up comedy show.
heckler an audience member
who talks and interrupts a show, usually by exchanging insults with the
comedian.
improvisation akin to ad-lib, but usually refers to
the spontaneous making up an entire bit or the continual comedic conversing with
audience members.
inside joke a joke referring to information only a
select group of people have.
joke a device for expressing
humor that employs a
setup which
contains a
target assumption
to misdirect the audience into accepting a bogus
1st story; and
a punch which
contains a reinterpretation
which creates a 2nd story that
shatters the target assumption.
Joke Diagram a visual aid
for illustrating the structure of a joke.
joke file
jokes organized and
stored on index cards or in a computer.
Joke Map the first part of
the Joke Prospector
Writing System starts with a topic, creates a
punch-premise, forms
a setup-premise,
and concludes with writing setups.
Joke Mine the second part of
the Joke Prospector
Writing System begins with a setup and
explains the process of using the joke mechanisms of
target assumption,
connector, and
reinterpretation,
to write a punch.
Joke Prospector Writing System
a joke writing system consisting of the two part of the Joke Map and the Joke Mine.
jokey 1. a term used to describe such obvious jokes
that one would expect to hear a rim shot following them. 2. a comic's groupie.
kill, to to give an excellent comedy performance.
laughs per minute a measurement for counting the
number of laughs in a show.
line-up a list of the comics slated to perform.
LPM laughs per minute.
M.C. Master or Mistress of Ceremonies; the person who introduces
the performers.
middle the second comedian in the standard three
comedian stand-up comedy show line-up.
mike abbreviation for
microphone.
monologue a speech for one person; in comedy, a
stand-up comedy script for a solo comedian.
narrator POV the perceptual position
achieved when being an observer or non-participant of an experience.
Neuro-linguistic Programming a behavioral model and
set of explicit skills and techniques founded by John Grinder and Richard
Bandler. Defined as the study and mapping of the structure of the mind.
NLP Neuro-Linguistic Programming
on the road continually working outside of one's city of
residence.
one-liner a joke made up of only one or two sentences.
one-nighter a job which only lasts one night.
open-mike
a policy to allow anyone to get on stage and try to be funny.
opener the first of three comedians in a standard
comedy club line-up.
opening line the first joke of a stand-up comedy
routine.
pause to stop talking in a show to enhance the
timing of a joke.
POV point of view.
premise the central concept from which
a series of jokes
or a routine is written.
punch the second part of a
joke that contains
a reinterpretation
that creates a 2nd story
that shatters
the setup's
target assumption.
punch line (same as punch).
punch-premise a step in the
Joke Map
stating a negative opinion about a smaller aspect of the
topic.
regulars comedians who appears frequently at a
particular nightclub.
Rehearsal Space a location designated for practicing one's show;
separate from the Critic Spot.
reinterpretation an
unexpected meaning or function of the connector that
shatters the
target assumption.
reveal within the
punch, the pivotal
word, phrase, or action that exposes or presents the 2nd story's
reinterpretation.
riffing verbally bantering with the audience.
rip into or ripping to attack, insult, or verbally
tear into an audience member or comic who has heckled or otherwise deserves the
abuse.
roll, on a delivering a string of
jokes so that the
audience continues laughing for an extended period without interruption.
routine jokes all on the same subject or story
that can be repeated on a regular basis.
running gag multiple callbacks; a recurring
joke within the
same show.
schtick a Yiddish word meaning a comic scene or
piece of business; often implying physical comedy.
segue a transitional sentence
for purposes of leading from one joke or
routine to
another.
self POV the perceptual position
achieved when performing as one's self while participating in an experience.
set, a a stand-up comedy show of any length.
setup the first part of a
joke that contains
a target assumption
to misdirect the audience into accepting a bogus
1st story.
setup-premise a step in the
Joke Map
stating the opposite opinion to that of the
punch-premise
from which setups are written.
shatter with reference to
joke structure, the
point at which the audience realized that their assumption is incorrect.
showcase to perform a stand-up comedy show for
little or no compensation for the purposes of getting experience or being seen
by a potential employer.
showcase club a comedy club using a line-up of ten
or more comics in a row.
sight gag a physical
joke meant to be
watched.
stage time the duration, in minutes, a comedian
spends in front of an audience making them laugh.
tag or tag line an additional
punch immediately
following a punch that does not require a new setup.
take, a a comedic facial reaction. Like the long
Jack Benny take to the audience.
target a shorter term for
target assumption.
target assumption the
misdirecting assumption
in a joke's setup which
creates the 1st story
and is shattered
by the reinterpretation.
throw away to put little emphasis on a point usually
considered important. time slot the specific spot a comedian occupies within a
showcase club line-up.
time slot the specific spot a comedian occupies within a showcase club line-up.
timing the use of tempo, rhythm, pause, etc. to
enhance a joke, or
tailor it to an individual performing situation; African Dancing and Drumming.
topic the single and overall
subject of a routine
based on a problem.
topical jokes
about current events.
topper an antiquated term referring to a
joke playing off a
previous joke; same as tag.
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